Talking Portraits reviewed by Tony Martins of Guerilla Magazine Ottawa, 2008.
The Talking Portraits Series was review by the Guerilla Magazine of Ottawa Canada in an article entitled Portraiture by Intuition by Tony Martins in issue #8 in June 2008.
Portraiture by Intuition by Tony Martins
Do we create images of who we are on our own or through unseen collaboration with others? The “Talking Portraits” installations of wife and husband Sherry Tompalski and Graham Thompson use technology to capture a “co-creation” that is mostly invisible, highly intuitive, and quintessentially human.
Rarely have I seen such compelling evidence of human intuition as I did on the morning I arrived at Sherry Tompalski’s studio to serve as subject for one of her portraits. I had met with the Tompalski and her husband Graham Thompson (both are Ottawa-based artists) a few weeks earlier over coffee to discuss possible treatments of their new multi-media collaboration in Guerilla. When Tompalski suggested that I could obtain a first-hand view of things by sitting for a portrait, I readily agreed and we began to make arrangements.
The Talking Portraits series documents the creation of Tompalski’s oil-on-canvas portraits using three integrated components: the finished portrait; a time-lapse video of the portrait in the making; and an audio recording of whatever Tompalski’s subjects verbalize while beneath the gaze of the portraitist. As you may see in the three talking portraits we present here, the sum total is an almost spooky emergence of a distinct personality through shape, colour, image, and sound. Tompalski is a practicing psychiatrist. For her, the series serves as visual confirmation that “90% of what goes on between two people is unconscious”—an idea she credits to Daniel Stern, a professor of psychiatry and psychology and a noted expert in mother-infant relationship.
In a slightly different sense, the Talking Portraits are an instance of co-construction, “the theory that there is a mutual reciprocal bi-directional interaction between two people that is unconscious,” explains Tompalski.
Which is sort of like a fancy way of saying intuition—which brings me back to that morning in Tompalski’s studio.
The smiling portraitist greeted me at the door and ushered me upstairs, where Thompson was attending to his video and audio set up. A 3×3-foot canvas was already positioned on an easel. It was nearly covered with large square swaths of purple paint.
“This is the colour that reflects my impression of you after our first meeting,” explained Tompalski.
“Actually, purple is my favorite colour,” I replied.
“Well, there you go,” said Tompalski.
There was laughter and then knowing smiles all around. Simply by conversing over a cup of coffee, Tompalski and I had already begun to “co-create” my portrait. She had intuited the colour that best represents my conception of self and confidently used it as the foundation for the portrait.
Although Tompalski and Thompson have been married for 25 years, Talking Portraits is their first formal artistic collaboration. The idea began to take shape late last year, when the couple returned from an Asian tour where Thompson presented his digital artwork through a variety of new media installations.
“Graham decided to document the series of large faces I was painting, as he was interested in capturing my intuitive approach to portraiture. We viewed the videos together, saw the possibilities, and began experimenting with voice tracks, music and time-lapse photography.”
On Friday, May 26, the Talking Portraits made a one-night appearance at Ottawa’s La Petite Mort Gallery. Previously, the Talking Portraits have appeared at the Red Salon Artists in Ottawa, the Bridge Street Gallery in Carleton Place, the Steam Whistle Gallery in Toronto (where the portrait “Sam” is in the permanent collection), and at the Ontario Psychiatric Association annual meeting in Toronto.
After the LPM show, the series was slated to appear at Ottawa’s Cumberland Gallery and Cube Gallery. The first international solo show of the Talking Portraits takes place at the ARC Gallery in Chicago in November and early December.
Tompalski says the next phase in the Talking Portraits evolution will include a 90-minute ambient video version.
“The project will be shot in high definition video and the portraits will develop very slowly, in a hypnotic soothing way, and will be shown on a large screen,” Tompalski explained.
Recalling how I had yammered on about myself while sitting for my portrait, I wondered how other Talking Portraits subjects had behaved.
“I have no expectation that the person must talk, and as a result, there is a great deal of variety,” said Tompalski.
“For example, one woman sat for four hours and made only one comment. However that comment was extremely poignant and meaningful.”