13th International TV Festival Bar Montenegro

Metis Media Installation videos presented at 13th International TV Festival Bar Montenegro 2008.

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Graham Thompson presented videos from the Metis Media Installation at the 13th International TV Festival Bar Montenegro in October 2008.

Videos from the Métis Media Installation were presented with an artist’s talk at the International TV Festival Bar Montenegro in October 2008. The presentation included videos “The Anishinabe Woman,” “The Four Directions Webcast,” “John Maracle,” “Willy Bruce,” “Raymond Girard” and “Paul Bruneau.”

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The International TV Festival Bar Montenegro is the largest television festival in South Eastern Europe was developed by visionary Ljiljana Ðindinovic, who created the annual event during the Balkans War in 1994 to help preserve ties between the nations of the former Yugoslavia.

Canadian Museum of Civilization, Metis Day

Canadian Museum of Civilization features videos Pauline’s Neighbourhood, The Jingle Dress Dance and Water is Associated with the North 2009.

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Metis Day was held in the Grand Hall

Metis Day at the Canadian Museum of Civilization, now known as the Canadian Museum of History, featured the following videos “Pauline’s Neighbourhood,” “The Jingle Dress Dance” and “Water is Associated with the North” by Graham Thompson on February 08, 2009.

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The Grand Hall is the architectural focal point of the Museum and houses the world’s largest indoor collection of totem poles.

Canadian Museum of History Mandate:

“To enhance Canadians’ knowledge, understanding and appreciation of events, experiences, people and objects that reflect and have shaped Canada’s history and identity, and also to enhance their awareness of world history and cultures.” (Canadian Museum of History Act)

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The Canadian Museum of History welcomes over 1.2 million visitors each year to its celebrated complex in the heart of the National Capital Region, making it the country’s most-visited museum. With roots stretching back to 1856, it is one of Canada’s oldest public institutions and a respected centre of museological excellence, sharing its expertise in history, archaeology, ethnology and cultural studies both within Canada and abroad.

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In addition to its ongoing exhibitions, including the spectacular Grand Hall and First Peoples Hall, each year the Museum presents a number of outstanding exhibitions focusing on Canadian and world history and civilizations. These exhibitions include those developed by the Museum as well as many produced by other Canadian or international institutions. The Museum is also home to the Canadian Children’s Museum, a 500-seat theatre and the CINÉ+, a 295-seat movie theatre equipped with a giant 3D screen and a giant dome. Online, the Canadian Museum of History presents a number of excellent virtual exhibitions, including the Virtual Museum of Canada and the Virtual Museum of New France.

Research activities are concentrated in the fields of history, archaeology, ethnology and cultural studies. The National Collection consists of more than four million artifacts, specimens, works of art, written documents, and sound and visual recordings. More than 218,000 artifacts in the collection are accessible in an online database.

SAW Video Ottawa, Metis Media Fest 2007

Metis Media Fest 2007,  24 Aboriginal Artists, 50 videos, 25 digital images and 10 audio tracks presented at SAW Video Media Arts Ottawa.

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Metis Media Fest 2007 was exhibited at the SAW Video Media Arts Centre in Ottawa Canada on August 30, 2007. The multimedia Installation featured 50 videos, 25 digital images and 10 audio tracks in collaboration with 24 Aboriginal Artists from Australia, The Philippines, Peru, Canada and the USA.

Metis Media Fest 2007 ran from 4-8 PM Thursday on August 30, 2007 in CLUB SAW in the Arts Court Building at 2 Daly Street (corner of Daly and Nicholas in Ottawa’s Market District). The videos, digital images and audio tracks were featured within an immersive installation of computers and video projectors. Excerpts of the works were shown on the main screens with the unedited versions available on the computers within the installation.

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Exhibited videos included: “Singing Home the Bones: A Poet Becomes Himself” by Hilary Pryor, “Buried Traces” by Michelle Smith, “Hybred” by Christine Kirouac, “Anwolek- Regatta City” by Dana Claxton, “Sierra’s Song” by John Barnard. VIdeos were digitized and “mashed-up” or “remixed” on 8 large screens. Full length Video, audio and digital images were presented through an interface on 5 available computers.

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Marcel Fayant – The 2nd Dumbest Question of the 20th Century

Videos Exhibited – Artist, Title

  • James Diamond Mars – Womb Man
  • James Diamond – Private Property
  • Terry Haines – Skin for Life
  • Terry Haines – Raven Heart
  • Terry Haines – Dragonfly
  • RoseAnne Archibald – Class Clown
  • RoseAnne Archibald – Payuk Sashkeehitowin (One Love) Peuk Nepi,
  • James Nicholas – Meeting Waterwoman
  • Dana Claxton Anwolek – Regatta City
  • Hilary Pryor – Singing Home The Bones: A Poet Becomes Himself.
  • Marcel Fayant – The 2nd Dumbest Question of the 20th Century
  • Marcel Fayant – The 3rd Dumbest Question of the 20th Century
  • Marcel Fayant – The Response to the Dumbest Question of the 20th Century
  • Marcel Fayant – Native Dance Movement

The Metis Media Fest asks “What does it mean to be Metis?”

The films, YouTube videos, audio tracks, digital images, and photographs featured the work of Aboriginal artists from Canada, USA, Australia, Peru and the Philippines that examine issues around Aboriginal/European heritage, including why people of mixed heritage may or may not identify themselves as Métis.

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Digital Images by Wayne Phillips

This family-friendly event featured 50 videos, 25 digital images and 10 audio tracks, all presented within an immersive installation of computers and video projectors. Excerpts of the works will be shown on the main screen with the unedited versions available on the computers within the installation.

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Anwolek – Regatta City by Dana Claxton

The event will be of interest to audiences of Aboriginal culture as well as those seeking a technological experience. The work ranges from traditional  to experimental. In 2007, The Installation included electronic works of Aboriginal artists from Vancouver, Montreal, Saskatoon, Regina, Fargo, Lima, Baguio and Melbourne.